Portfolio v1.3

© Victor Lake, 2026

Portfolio v1.3

© Victor Lake, 2026

CASE STUDY

Alchemist Candle Company

Established in 2020 by Danni Ma, Alchemist Candle Company is an eco-conscious fragrance brand born from a cross-continent journey between Brooklyn and China. Rooted in the philosophy of alchemy, the brand needed an identity that reflected its handmade craft without blending into a saturated market of minimalist candles. I had to build a complete brand system from scratch while physical manufacturing specifications were entirely uncertain. My solution was a scalable design architecture.

Scope

  • Logo

  • Brand Identity System

  • Packaging Design

  • 3D Renders.

Tools

  • Procreate

  • Adobe Illustrator

  • Adobe Photoshop

  • Blender

Role

  • 2 Week Timeline

  • Visual Designer

  • Contract

RESEARCH

Discovery & Visual Direction

Danni Ma is a self-taught candle maker who honed her craft alongside vendors at the Brooklyn Flea Market. But when she relocated to China, she needed a comprehensive identity system from scratch, a logo, packaging architecture, and 3D visualization despite having unfinalized physical production specs. Because we were collaborating remotely across continents, establishing a clear visual vocabulary early was critical. We built a collaborative mood board to pin down her exact aesthetic goals. Danni wanted to merge the rich, hand-drawn character of manuscripts with the functional clarity of contemporary minimalism.

Key Takeaways

  • Symmetrical compositions & mirrored designs

  • Layered detail within defined spaces

  • Ornate borders and frames

  • Botanical motifs & repeating patterns

  • Rich, aged color palettes

  • Dimensional flatness typical of medieval art

RESEARCH

Market Context & Research

The artisanal candle space is saturated with brands competing on natural ingredients and eco-conscious messaging. Most often default to the same visual approach. This creates a crowded market where brands become visually interchangeable. Below are a few hand picked examples.

P.F. Candle Co.

P.F. Candle Company

Los Angeles, California

  • Kraft paper label with a condensed (borderline illegible) sans-serif typography

  • Little variation in type hierarchy (scent name and details given equal weight)

  • Amber glass jar (warm, natural association)

Brooklyn Candle Studio

Brooklyn, New York

  • White minimalist label with serif scent name, sans-serif details

  • Large white label dominates the jar. High contrast but impersonal

  • Clean but generic. Could be mistaken for any wellness/home goods brand

Boy Smells Candles

Los Angeles, California

  • Color-blocked label (pinkish purple) with tight leading, caps typography

  • Black glass creates contrast but loses transparency/material quality

  • Contemporary but relies heavily on color blocking for differentiation

Synthesis

Design Challenge

Problem 1

Artsy, city-based candle brands use minimalism without distinguishing features. Not much brand personality. Every brand looks identical because they rely solely on typography and whitespace.

Problem 2

Tin sizing and box dimensions weren't finalized post design phase. The system needed flexibility to accommodate specification changes without requiring complete redesigns.

Approach

Separate by Function: Isolate decorative elements to specific brand touchpoints (logo, patterns) while keeping functional elements adaptable. What creates personality stays fixed and what needs flexibility varies.

IDEATION

Branding

Brand Mark

After illustrating several concepts in Procreate, the serpent and candle design was selected as it looks as though it would be something you'd find on a shopkeepers crest from the time period. To reinforce this medieval manuscript feel, the hand drawn mark is paired with the Luminari typeface, which also serves as a bounding box / container for the logo. The entire centerpiece is then grounded by an earthy color palette of muted green, rich gold, and soft cream.

Brand Mark Palette

939E6D

EDE4D5

D8A03D

FFFFFF

Typography

Brand Mark Use Only: Luminari, Regular

Heading: Neue Haas Grotesk Display Pro, Medium

Paragraph: Source Code Variable, Regular

IDEATION

Packaging & Labeling

Both packaging structures make for a modular and scalable design system. To identify scents at a glance without cluttering the design, I illustrated a botanical pattern that fill the side panels of both packaging pieces. This placement leaves the center panel clean and functional, ensuring essential typography is easily scannable while maintaining a cohesive, premium unboxing experience.

Tuck Top Dieline: Final

Tuck Top Dieline: Final

Candle Label: Final

Candle Label: Final

IDEATION

Candle 3D Model

Lorem

Tuck Top Dieline: Final

Tuck Top Dieline: Final

IDEATION

Candle Box 3D Model

Lorem

Ideation

Staging, Lighting & Environment

Studio Scene

For the studio shots, I set up a three point lighting system, a key light for main illumination, fill light for softening shadows and a rim light for edge definition. I also added some subtle volumetric lighting.

Environmental Scene

For environment shots, I wanted to show the product in a visual context that reinforced the brand's naturalistic quality. I used a photogrammetry asset of a rocky oceanfront cliff, used forced perspective via the depth of field to create the illusion that the rock sizes were bigger than they were in the software.

DESIGN SOLUTION

Final Mockup Renders

The final deliverable is a complete and new brand identity system that bridges medieval ornamental design with contemporary function. The serpent logo and botanical patterns carry the brand's personality, while clean typography and modern elements ensure product information remains modern and accessible. 

RESULTS

Reflection

This project reinforced the importance of clearly defining aesthetic boundaries before designing. By breaking down the characteristics of the detailed and minimal design languages early on, I established guidelines that helped with every design step. Because I couldn't rely on quick check-ins or in-person presentations, I was forced to think more strategically about why each choice mattered, which ultimately made the work stronger. Furthermore, beautiful concepts don't matter if they can't be produced accurately or cost-effectively. Building production considerations into the design process from the start prevented costly revisions later.